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← Edgar Degas Edgar Degas — The Fireside

The Fireside

Original title: The Fireside

Artist
Edgar Degas
Date
ca. 1876–77
Medium
Monotype in black ink on white heavy laid paper
Dimensions
plate: 16 3/4 x 23 1/16 in. (42.5 x 58.6 cm) sheet: 19 3/4 x 25 1/2 in. (50.2 x 64.8 cm)
Credit line
Harris Brisbane Dick Fund, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, and C. Douglas Dillon Gift, 1968

kurzbeschreibung

Edgar Degas made this monotype around 1876–77. It captures a domestic gathering by a fireplace, with several people and dogs taking part. The artist worked in black ink on heavy white laid paper.

Description

A fireplace anchors the scene, drawing people and animals around it. On the left, a woman sits handling a thread while a dog runs toward her. To the right, a second dog leans forward. Behind these figures, other shapes dissolve into the darkness. The layout feels irregular, yet the fire and those gathered before it hold the eye. Light picks out contours, and visible brushmarks give the whole a lively, open quality.

Context

This monotype belongs to the 1870s, when Degas engaged deeply with the technique. Scenes of everyday life and private surroundings run through his work; he often brought the lives of Parisian society behind closed doors into view. Monotypes were usually unique pulls, allowing artists like Degas a quick, painterly approach.

Impact

The subdued tonality and soft transitions create a quiet, contemplative mood. Intimacy and distance sit close together, placing the viewer in a private, almost observing role. The lively linework gives the sheet the spontaneity of a sketch.

Technique

For this monotype, black ink was applied to a plate and then pulled onto paper. Depending on the ink's density, different gray values emerge. Brush and scratch marks reveal the artist's hand directly and make each pull a unique impression.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)