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The Great Jewish Bride

Original title: The Great Jewish Bride

Artist
Rembrandt (Rembrandt van Rijn)
Date
1635
Medium
Etching; second state of five
Dimensions
sheet: 8 9/16 x 6 7/16 in. (21.8 x 16.4 cm)
Credit line
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

kurzbeschreibung

Where many of Rembrandt's related etchings gather several figures, this print of 1635 isolates a single young woman in plain dress with a bow at her neck, set before a bare wall and window. The impression is the second state of five. It shows the full range of seventeenth-century etching.

Description

Long, wavy hair frames the woman's face, which tilts slightly to the left. A simple dress, adorned at the neck with a bow, defines her appearance. Behind her rises a wall with a wooden-framed window cut into it. The layout is centered and draws the figure into focus. Fine hatching and lines produce monochrome tones and subdued lighting.

Context

Rembrandt made this etching in Amsterdam in 1635, when he turned increasingly to biblical and exotic subjects. The title "The Great Jewish Bride" came later and points to the presumed portrayal of a Jewish woman, perhaps inspired by the city's Jewish quarter. The sheet belongs to a series of studies Rembrandt made both for larger paintings and as independent prints.

Impact

An intimate, quiet presence emanates from this etching, created by the central arrangement and gentle lighting. Precise linework and detailed rendering of textures give the sheet a lively immediacy. The viewer feels directly addressed.

Technique

For this etching Rembrandt bit a copper plate with acid to bring out the lines. The second state of five shows slight reworking that increases the fineness of the hatching and the depth of the shadows. The process allows precise details and a graduated rendering of light and shadow.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)