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Self-Portrait Etching at a Window

Original title: Self-Portrait Etching at a Window

Artist
Rembrandt (Rembrandt van Rijn)
Date
1648
Medium
Etching, drypoint, and burin; fourth of nine states
Dimensions
Plate: 6 1/8 x 5 1/16 in. (15.5 x 12.9 cm) Sheet: 6 7/16 in. (16.3 cm)
Credit line
The Sylmaris Collection, Gift of George Coe Graves, 1920

kurzbeschreibung

Rembrandt's etching Selbstporträt an einem Fenster dates from 1648 and presents the artist seated at a window with a book, a landscape visible behind him. The print was made using etching, drypoint, and burin; this impression is the fourth of nine states.

Description

A man in a hat and jacket sits by the window, holding a book in both hands. Behind him, trees and buildings suggest a landscape. Light enters from the left, bathing the view in subdued brightness. Grays dominate the image, while lines and shading create texture and a sense of spatial depth.

Context

By 1648 Rembrandt was established as a recognized artist in Amsterdam and devoted himself intensively to printmaking. The fact that the etching exists in several states points to a careful working process. The motif of the artist at a window with a book connects to the scholar portrait, a genre widespread in seventeenth-century Dutch art.

Impact

Calm and inward-looking, the print conveys quiet through its subdued light and the sitter's concentrated pose. Fine lines and graduated shading give it depth and density that draw the viewer's gaze into the scene. The result is a mood of contemplation and artistic self-reflection.

Technique

For this print Rembrandt combined etching with drypoint and burin, achieving precise and detailed linework. The plate measures 15.5 x 12.9 cm and was printed in several states; this version is the fourth of nine. This mixture of techniques allowed subtle gradations of light and shadow, typical of his prints.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)