Art Archive

← Rembrandt (Rembrandt van Rijn) Rembrandt (Rembrandt van Rijn) — Abraham Entertaining the Angels

Abraham Entertaining the Angels

Original title: Abraham Entertaining the Angels

Artist
Rembrandt (Rembrandt van Rijn)
Date
1656
Medium
Etching with drypoint, very light plate tone
Dimensions
sheet: 6 1/2 x 5 7/16 in. (16.5 x 13.8 cm) plate: 6 1/4 x 5 3/16 in. (15.9 x 13.2 cm)
Credit line
Gift of Henry Walters, by exchange, 1923

kurzbeschreibung

A glass of wine in Abraham's hand opens the scene: Rembrandt van Rijn's 1656 etching presents the biblical entertainment of the three divine messengers. The print is executed as an etching with drypoint and a very light plate tone.

Description

On the left sits Abraham, a wine glass in hand, and before him on the table lie two loaves of bread. Opposite him, two more men have settled on the right, also with glasses. Through a doorway in the rear, a fourth person peers in, surprised or curious. The layout extends horizontally and clearly separates the foreground figures from the landscape of trees and rocks behind. Even light falls across the scene, without strong shadows or highlights; clothing and surroundings are rendered realistically and in rich detail.

Context

This etching was made in 1656, during a period when Rembrandt was deeply engaged with biblical subjects. It is based on the well-known Old Testament story of Abraham entertaining the angels (Genesis 18). Such prints were common in the seventeenth-century Netherlands and were often traded as collectibles. At this time Rembrandt increasingly experimented with drypoint to achieve finer lines and softer transitions.

Impact

A calm, intimate mood carries the print and brings Abraham's hospitality to the fore. Finely drawn lines and evenly distributed light give the view a clear narrative quality that draws the viewer into the event.

Technique

Etching and drypoint combine to allow a very fine, precise line. The very light plate tone creates an even, soft tonality without harsh contrasts. The exact rendering of fabrics and faces demonstrates Rembrandt's confident mastery of printmaking.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)