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← Jean-François Millet Jean-François Millet — Women Carrying Faggots

Women Carrying Faggots

Original title: Women Carrying Faggots

Artist
Jean-François Millet
Date
ca. 1858
Medium
Charcoal heightened with white gouache, charcoal border, on heavy laid gray-blue paper
Dimensions
13 1/2 × 10 7/8 in. (34.3 × 27.6 cm) Framed: 22 5/8 in. × 19 7/8 in. × 1 3/8 in. (57.5 × 50.5 × 3.5 cm)
Credit line
Robert Lehman Collection, 1975

kurzbeschreibung

Jean-François Millet, a leading figure of Realism, made this drawing of women carrying faggots around 1858. Three peasant women are seen gathering brushwood in a bleak winter landscape. Executed in charcoal with white gouache highlights on gray-blue paper, the sheet belongs among Millet's works on rural labor.

Description

Two women stand in the foreground, heavy bundles of brushwood on their backs. They wear plain long coats and head coverings, their bodies leaning slightly forward. A third, less finished figure with a similar load appears farther back. Muted grays dominate the sheet; faint light from the front picks out the shadows and surfaces of the figures. The arrangement draws the eye entirely to the women and their arduous task.

Context

Millet, a foremost Realist, often turned to the life of country people. During his years in Barbizon in the 1850s he produced numerous drawings and paintings honoring the hard work of peasants. Gathering brushwood for fuel was part of everyday life in rural France in the nineteenth century. This sheet may have served as a study or as an independent work, and it underscores the dignity of labor.

Impact

A quiet, serious mood emanates from the drawing, deepened by the dark palette and the bent postures. The concentration on essentials lets the figures and their burden stand out without distraction. Charcoal and white highlights create a lively surface that makes the weight of the bundles and the women's exhaustion almost tangible.

Technique

Millet worked in charcoal, which he accented with white gouache to set points of light. The gray-blue paper acts as a middle tone, mediating between the grays of the charcoal and the white highlights. A charcoal border running around the edge holds the arrangement together and emphasizes the sketch-like character of the sheet.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)