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← Jean-François Millet Jean-François Millet — Peasants Going to Work (1863, Met-Objekt 4939)

Peasants Going to Work (1863, Met-Objekt 4939)

Original title: Peasants Going to Work

Artist
Jean-François Millet
Date
1863
Medium
Etching in brown/black ink on thin laid paper; seventh (final) state
Dimensions
plate: 15 3/16 x 12 1/16 in. (38.6 x 30.7 cm) sheet: 20 9/16 x 15 3/8 in. (52.2 x 39 cm)
Credit line
Gift of David Keppel, 1917

kurzbeschreibung

A man with a broad-brimmed cap and a plough, a woman with a bucket and a headscarf: the two cross a field together in Jean-François Millet's etching "Peasants on Their Way to Work" of 1863. The print, in brown-black ink on thin laid paper, belongs to the collection of the Metropolitan Museum of Art.

Description

Man and woman walk side by side over ploughed ground, he carrying his plough, she a bucket, her head covered. Scattered plants dot the soil, and beyond them stretch further fields where other figures are at work. The layout holds tight to the pair, while contrasts of light and dark give the space depth. Fine, realistic lines run through this monochrome sheet.

Context

Millet etched this subject in 1863, at a time when he was deeply absorbed in the life of the French rural population. The seventh and final state of the print points to a long period of revision. A member of the Barbizon school, he turned away from idealized history painting and devoted himself to everyday field labour. To show peasants as serious, dignified figures was unusual for its day and socially provocative.

Impact

The sheet feels calm and dignified; the figures go about their work with concentration, close to the earth. Clear arrangement and nuanced shading lend the view a grave, almost monumental mood. The viewer's eye is drawn to the hardship and importance of rural labour, yet the subject is never sentimentalized.

Technique

The etching in brown-black ink on thin laid paper survives in its seventh and final state. The plate measures 38.6 x 30.7 cm, the sheet 52.2 x 39 cm. The etching process allowed for fine lines and subtle tonal gradations, which were used to render light and texture realistically.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)