Art Archive

← Suzuki Harunobu Suzuki Harunobu — The Man Outside

The Man Outside

Original title: The Man Outside

Artist
Suzuki Harunobu
Date
ca. 1770
Medium
Woodblock print; ink and color on paper
Dimensions
H. 27 5/8 in. (70.2 cm); W. 4 3/4 in. (12.1 cm)
Credit line
Rogers Fund, 1922

kurzbeschreibung

Suzuki Harunobu made 'Der Mann draußen' around 1770: a colour woodblock print on paper, upright in format at 27 5/8 by 4 3/4 inches. A woman inside a room turns her gaze toward a mirror.

Description

A richly decorated obi and a traditional hairstyle with hair ornaments define the woman's appearance. She leans slightly forward, looking at a mirror fixed to the wall. The mirror reflects a second figure wearing a helmet. Beneath it stands a black box painted with flowers, and beside that a cup wrapped in straw. Reds, browns and beiges dominate the sheet, with accents set in blue and green.

Context

Harunobu is regarded as a pioneer of multicolour woodblock printing, nishiki-e, in the Edo period. This print was made around 1770, when the urban bourgeoisie, the chōnin, became the main audience for ukiyo-e prints. The pairing of woman, mirror and male figure suggests a theme from everyday life or contemporary literature.

Impact

The layout feels balanced: the woman stands in front, her reflection emerging behind her. Light falling from the front separates figures and objects clearly. Crisp contours and flat, closed areas of colour give the view a quiet, familiar mood.

Technique

Ink and colour were transferred here by relief printing from woodblocks onto paper. Each colour required its own block, as the nishiki-e process demands. Precisely matched tones and exactly controlled lines characterise Harunobu's working method.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)