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← Kitagawa Utamaro Kitagawa Utamaro — Two Beauties

Two Beauties

Original title: Two Beauties

Artist
Kitagawa Utamaro
Date
ca. 1801–4
Medium
Hanging scroll; ink and color on silk
Dimensions
Image: 40 3/4 x 12 1/2 in. (103.5 x 31.8 cm) Overall with mounting: 69 11/16 x 19 1/2 in. (177 x 49.5 cm) with ivory rollers (dia. 15/16 in.)
Credit line
Charles Stewart Smith Collection, Gift of Mrs. Charles Stewart Smith, Charles Stewart Smith Jr., and Howard Caswell Smith, in memory of Charles Stewart Smith, 1914

kurzbeschreibung

Kitagawa Utamaro's hanging scroll "Two Beauties" dates from around 1801–4 and shows two women in traditional dress. The Japanese painting is executed in ink and color on silk.

Description

One woman sits on the floor holding a bouquet, while the other stands upright beside her with a fan. Their garments display elaborate patterns in warm gold, brown, and red tones. The background glows in gold and is covered with a design of flowers and leaves. On the right side of the image is a block of Chinese characters. The layout feels symmetrical, the figures are the focus, and even light brings out the details of the fabrics.

Context

Kitagawa Utamaro (c. 1753–1806) is among the outstanding Japanese artists of the late eighteenth and early nineteenth centuries and became known above all for his portrayals of women (bijinga). This work was created in the late Edo period, an era of cultural flourishing. Hanging scrolls with portraits of women were very popular at the time and often served as part of private collections or as gifts.

Impact

Balanced arrangement and warm colors give the image a calm, elegant presence. The viewer's gaze is drawn to the richly patterned garments and the ornamental background, and from there to the two women. The detailed execution creates a decorative effect that holds the eye.

Technique

As a hanging scroll, the work is executed in ink and color on silk. The silk support demands special painting techniques so that the colors can be applied evenly. The golden background design and the delicate lines correspond to Japanese painting practice of this period.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)