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← Kitagawa Utamaro Kitagawa Utamaro — Okita of the Naniwaya Teahouse

Okita of the Naniwaya Teahouse

Original title: Okita of the Naniwaya Teahouse

Artist
Kitagawa Utamaro
Date
ca. 1793
Medium
Woodblock print; ink and color on paper
Dimensions
14 1/8 x 9 7/8 in. (35.9 x 25.1 cm)
Credit line
The Howard Mansfield Collection, Purchase, Rogers Fund, 1936

kurzbeschreibung

Around 1793 Kitagawa Utamaro portrayed Okita, a young waitress from a teahouse, dressed in traditional clothing and holding a tea bowl on a tray. This colour woodblock print on paper catches her in a quiet moment, far from the bustle of the shop at work.

Description

Layers of hair and ribbons are pinned into an elaborate style. Over a dark underskirt lies a pale outer robe patterned with flowers. Okita looks to the left, her posture calm and turned inward. A vertical cartouche of Chinese characters runs along the edge of the sheet. Muted tones govern the view, while light brings out the face and the details of the fabric.

Context

Utamaro made this print in the Edo period, when woodblock printing had become a mass medium. Bijin-ga, portraits of beautiful women, was one of the leading genres of those years. Okita was a well-known waitress at an Edo teahouse and appears in many ukiyo-e prints. The subject belongs to a series presenting famous beauties of the day, taking up their standing in urban culture.

Impact

A quiet elegance radiates from the sheet, a composure that draws the viewer close to the atmosphere of the teahouse. Clean lines and restrained colour combine into a harmonious, almost meditative whole, characteristic of Utamaro's work.

Technique

The sheet was printed as a nishiki-e, a multicolour woodblock print in ink and colours on paper. Several blocks were used for the different tones, one for each colour. The precise drawing of the lines and the soft colour transitions attest to the great care of this craft.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)