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← Kitagawa Utamaro Kitagawa Utamaro — The Hour of the Ox (1 A.M.–3 A.M.)

The Hour of the Ox (1 A.M.–3 A.M.)

Original title: The Hour of the Ox (1 A.M.–3 A.M.)

Artist
Kitagawa Utamaro
Date
ca. 1794
Medium
Woodblock print; ink and color on paper
Dimensions
H. 14 5/8 in. (37.1 cm); W. 9 5/8 in. (24.4 cm)
Credit line
Gift of Estate of Samuel Isham, 1914

kurzbeschreibung

Kitagawa Utamaro's woodblock print "The Hour of the Ox (1–3 a.m.)" dates from around 1794. It shows a woman in a patterned kimono, calmly holding a fan in her hand. The print was made with ink and color on paper and measures approximately 37.1 × 24.4 cm.

Description

A kimono decorated with flowers and leaves dresses the figure; a sash is tied around her waist, and her hair is styled high and adorned with ornaments. The fan rests in her hand. A decorative border of leaves and flowers frames the image, with a small cartouche at upper right containing a flower and Chinese characters, and two shoes at lower right. Earth tones and blues dominate the palette, with accents of orange and white; the light brings out the contours of the figure and the surrounding space.

Context

During the Edo period, Japanese color woodblock printing (nishiki-e) reached its peak, and this print by Utamaro belongs to that phase. It comes from a series treating the hours of the day—a popular ukiyo-e subject that draws on scenes from the pleasure quarters and everyday life. Showing a woman in a domestic, familiar setting matched Utamaro's interest in the female ideal of his time.

Impact

A quiet, almost intimate mood emanates from the print, carried by even light and clear, sharp contours. The muted colors and ornamental framing give the work a decorative elegance that draws the eye to the careful linework and the calm presence of the figure.

Technique

The print was produced as a woodblock print, with water-based pigments printed on paper. Multicolor printing (nishiki-e) allowed for fine gradations and precise patterns, as seen in the kimono and the surrounding space. Sharp outline lines were created using key blocks integrated into the printing process.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)