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Metallic Tractors

Original title: Metallic Tractors

Artist
James Gillray
Date
1802
Medium
Hand-colored etching and aquatint
Dimensions
plate: 6 7/8 x 8 15/16 in. (17.5 x 22.7 cm) sheet: 8 1/16 x 9 15/16 in. (20.5 x 25.2 cm)
Credit line
Gift of William H. Huntington, 1883

kurzbeschreibung

James Gillray's satirical etching 'Metallic Tractors' dates from 1802 and presents a grotesque encounter between two men. A standing elderly gentleman holds out a device known as a 'metallic tractor' to a seated, red-faced man. The hand-colored etching and aquatint lampoons the then-popular healing method using metal rods.

Description

On the left stands a man in a brown suit with white hair; he holds a small, tractor-like object in his hand and brings it to the nose of the seated man. The latter wears a blue suit, his face is strikingly red, and with an unhappy expression he raises his arms in a defensive gesture. A jug, a glass containing liquid, and a written paper can be made out in the background. Above the seated man's head hangs a small picture showing a child. At the bottom one reads the title 'METALLIC-TRACTORS'. The coloring is mostly gray; only the seated man's clothing and face are highlighted in color.

Context

The caricature was created in London in 1802, amid intense debates about medical quackery. The 'metallic tractors' were a real but controversial remedy by the American doctor Elisha Perkins, which supposedly alleviated diseases through metal rods. Gillray, known for his political and social satires, thus took up the craze for alternative medicine. The print appeared in a series mocking contemporary follies.

Impact

The exaggerated facial expressions and absurd action make the scene immediately comic. The combination of serious gesture and grotesque physiognomy creates a satirical sharpness that makes the viewer laugh and at the same time prompts reflection on the ridiculousness of the healing promise depicted. Strong color accents reinforce the visual punchline.

Technique

Hand-colored etching with aquatint—a process that allows fine tonal gradations. The aquatint produces the gray areas, while the etching supplies contours and details. The coloring was done manually with watercolors, which emphasizes satirical elements such as the red face.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)