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Theatrical Mendicants Relieved - have Pity upon all our Aches and Wants!

Original title: Theatrical Mendicants Relieved - have Pity upon all our Aches and Wants!

Artist
James Gillray
Date
1824–27
Medium
Hand-colored etching
Dimensions
sheet (clipped impression): 7 1/4 x 9 13/16 in. (18.4 x 24.9 cm)
Credit line
Harris Brisbane Dick Fund, 1917

kurzbeschreibung

This hand-coloured etching by James Gillray, titled Theatrical Mendicants Relieved - have Pity upon all our Aches and Wants! (1824–27), takes up a scene after the Covent Garden Theatre fire. Three figures stand in the foreground, among them a woman in a long white dress holding a paper in her hands. Behind them rises the burning building, with smoke billowing up.

Description

In the foreground, a woman in a long white dress, adorned with a red handkerchief and a pink pouch, presents a sheet of paper. To her right stands a man in the dress of the period, also with a red handkerchief; to her left, another man. Behind this group appears the burning building, smoke pouring from it; at a gate stands a man in an orange jacket and blue waistcoat, likewise holding a paper. Earth tones dominate the palette, punctuated by red and blue accents, while light falling from above brings out shadow and texture. The style is caricatural and humorous.

Context

The sheet was prompted by the 1808 fire at the Covent Garden Theatre in London, which had strong cultural and social repercussions. Gillray, a renowned British caricaturist, often took up current events and social grievances in his work. This etching belongs to a series of satirical prints dealing with the aftermath of the fire and the public response. It was published between 1824 and 1827, years after the event, which speaks to the topic's enduring relevance.

Impact

Dramatic background and caricatural figures combine to an effect that seems both serious and comic. The detailed execution and humorous exaggeration prompt the viewer to reflect on the social situation. Warm earth tones and the lighting create a lively, almost stage-like atmosphere.

Technique

The etching is based on an etched printing plate that was subsequently hand-coloured with watercolours. This process allowed precise lines and fine shading, which gained lively accents through the manual colouring. The trimmed sheet measures 18.4 x 24.9 cm, a compact format that preserves rich detail.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)