Introduction of Citizen Volpone & His Suite, at Paris.–Vide, The Moniteur, & Cobbetts Letters
Original title: Introduction of Citizen Volpone & His Suite, at Paris.–Vide, The Moniteur, & Cobbetts Letters
kurzbeschreibung
James Gillray's hand-colored etching from 1802 introduces Citizen Volpone in a setting that feels almost baroque. Created during the Napoleonic Wars, the satirical print belongs to Gillray's series of political caricatures.
Description
Citizen Volpone, an oversized figure, dominates the image, wearing flamboyant clothes and a feathered hat. Around him are people in formal traditional dress, some kneeling or bowing respectfully, others standing or moving. Bold, contrasting colors, especially gold and red, define the scene. Even lighting highlights the details of the figures and their clothing. The style matches 18th-century caricature, with exaggerated features and symbolic gestures.
Context
The print appeared in November 1802, shortly after the Peace of Amiens, when Napoleon Bonaparte presented himself as Consul. The title refers to contemporary sources such as The Moniteur and Cobbett's Letters, which reported on political events in Paris. The figure of Volpone alludes to Ben Jonson's comedy 'Volpone' to criticize greed and political intrigue. With this caricature, Gillray commented on the British view of Napoleon's display of power.
Impact
Volpone's oversized portrayal is both comic and threatening, emphasizing the absurdity of the political staging. Vivid colors and exaggerated gestures reinforce the satirical tone and invite critical scrutiny.
Technique
The print is a hand-colored etching, allowing for fine linework and detailed shading. The coloring was done in watercolor, creating the strong contrast of gold and red. The etching was printed on paper measuring 25 x 35.6 cm.
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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)