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← Thomas Rowlandson Thomas Rowlandson — The Two Patriotic Duchesses on Their Canvass

The Two Patriotic Duchesses on Their Canvass

Original title: The Two Patriotic Duchesses on Their Canvass

Artist
Thomas Rowlandson
Date
April 3, 1784
Medium
Etching
Dimensions
Sheet: 13 3/8 × 9 15/16 in. (33.9 × 25.3 cm) Plate: 11 in. × 8 7/16 in. (28 × 21.4 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

kurzbeschreibung

Unlike many satires of the period that target a single figure, Rowlandson's 1784 etching brings four players into the picture: two women in rich finery and two men in military dress, arranged in a symmetrical grouping around a sales stand.

Description

The layout follows a clear mirroring: on the left stand two officers in 18th-century uniforms, on the right two ladies in elaborate gowns and feather-topped headdresses. A table behind them, bearing bags and other goods, suggests a market stall. Their postures look struck for display, pointing to deliberate show. The whole is executed in black and white, with even lighting and no visible shadows.

Context

The print appeared on 3 April 1784, a year of political turmoil after the end of the Fox–North coalition. Rowlandson was known for his satirical commentary on English social life. The title refers to the political activity of the Duchesses of Devonshire and Portland during the Westminster by-election of 1784, when they campaigned publicly for their candidates. The market-stall motif picks up contemporary criticism of the commercialization of politics.

Impact

The symmetrical arrangement and precise rendering of the costumes give the scene a detached, documentary quality. The exaggerated poses and the unusual mix of courtly elegance and market bustle create an ironic tension characteristic of Rowlandson's satirical style.

Technique

The work is an etching on paper, with the plate measuring 28 × 21.4 cm. The etching process allows fine lines that stand out especially in the folds of the clothing and the facial features. The even black-and-white reproduction without tonal gradations matches Rowlandson's graphic approach.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)