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← Thomas Rowlandson Thomas Rowlandson — Downlands, Sussex

Downlands, Sussex

Original title: Downlands, Sussex

Artist
Thomas Rowlandson
Date
1780–1827
Medium
Watercolor, pen and ink, brush and wash
Dimensions
Sheet: 6 3/4 × 10 1/4 in. (17.1 × 26 cm)
Credit line
Rogers Fund, 1923

kurzbeschreibung

Thomas Rowlandson’s watercolour Highlands of Sussex, made between 1780 and 1827, captures a rural hill landscape with a village in the distance. The artist used watercolour, pen and ink, and brush and wash to create the work.

Description

Gentle hills roll across the picture, and in the distance a village with several houses and a prominent church tower can be seen. Some cows graze on the meadow in the foreground. Earth tones, blue and green dominate the palette and contribute to the calm, natural mood. Soft, diffuse light suggests a time of day near sunrise or sunset. The layout is broad: village and hills at the back, grazing animals at the front.

Context

The Englishman Thomas Rowlandson (1757–1827) is best known for his satirical caricatures, but he also produced landscapes and genre scenes. The dating falls in a later phase of his career when he turned more strongly to landscape painting. English landscapes were highly popular at the time, and artists such as Rowlandson helped develop watercolour into an independent art form. Exactly how this sheet was made is not recorded; it belongs, however, to a series of landscape views that Rowlandson made on his travels through England.

Impact

Soft light and earthy tones give the sheet a tranquil, idyllic quality that draws the viewer into the peaceful landscape. Precise drawing and loose wash interlock, producing a lively yet harmonious effect.

Technique

The sheet is executed in watercolour, pen and ink, and brush and wash — a technique common for English landscape watercolours of the 18th century. The pen drawing sets the contouring lines, while the wash provides soft colour gradients and atmospheric effects. At 17.1 × 26 cm, the paper format is relatively small, which invites an intimate viewing.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)