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← Thomas Rowlandson Thomas Rowlandson — The Reception

The Reception

Original title: The Reception

Artist
Thomas Rowlandson
Date
1780–1827
Medium
Watercolor, pen and ink, brush and wash
Dimensions
Sheet: 9 1/2 in. × 15 in. (24.1 × 38.1 cm)
Credit line
Rogers Fund, 1923

kurzbeschreibung

Unlike many comparable drawings by Rowlandson, "Der Empfang" settles into a quiet coffee-house or drawing-room moment: a sheet made between 1780 and 1827 that gathers a group of people in contemporary dress around a table. Pen and ink with watercolour carry the motif.

Description

An elegant drawing room sets the stage, where several figures dressed in the fashion of the day have taken places around a table set with teacups; one person stands and holds the floor. To the side and toward the back of the room other guests converse, and a dog rests on the floor. Paintings hang on the walls, a large mirror above the fireplace. Light falls evenly from windows out of view, and the palette stays mostly pastel with grey and brown accents.

Context

Thomas Rowlandson, an English draughtsman, became known for satirical and socially critical accounts of British everyday life. Many of his works illustrate the social exchange of his era. This sheet belongs to a phase in which he often recorded scenes of the prosperous middle class and the nobility. No precise date survives, as is true of numerous works by the artist.

Impact

The viewer is left with the sense of watching a gathering attentively and quietly. Even light and pastel tones give the sheet a cheerful, almost idyllic air. Delight in detail and an inviting atmosphere shape the view, without satirical edge.

Technique

Pen and ink combined with watercolour form the basis of this mixed technique, typical of Rowlandson's drawing manner. Lines and washing passes allow a quick, lively grasp of figures and space. The paper measures 24.1 × 38.1 cm.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)