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An Antiquarian

Original title: An Antiquarian

Artist
Frederick George Byron
Date
October 23, 1789
Medium
Hand-colored etching and aquatint
Dimensions
Sheet: 14 3/4 × 10 11/16 in. (37.4 × 27.1 cm) Plate: 14 1/4 x 10 1/4 in. (36.2 x 26 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

kurzbeschreibung

Frederick George Byron's 1789 caricature "Ein Antiquar" centres on a gentleman in a pink coat who is examining an antique statue with great attention. The print is a hand-coloured etching and aquatint, measuring 37.4 × 27.1 cm.

Description

A pink coat immediately draws the eye to the man holding a small statue in his arm and inspecting it through his spectacles; his face suggests worry rather than admiration. Beside him stands a figure in a long white robe, also carrying a sculpture. A pedestal with another piece and a large antique vessel fill the background, while a neutral ground and even light make the outlines stand out clearly.

Context

The print comes from England in 1789, when antiquarian collections and archaeological discoveries attracted wide public interest. Byron used caricature to mock his contemporaries' passion for collecting, which was often portrayed as eccentric and overzealous. Such satirical prints usually appeared as loose single sheets and were aimed at an educated audience.

Impact

What makes the viewer smile is above all the collector's exaggerated expression, heightened by the sharp contrast between pink and muted greys. Irony and comedy arise from this exaggeration, and the eye quickly recognises the absurdity of behaviour that the figures themselves take entirely seriously.

Technique

The print was produced as an etching with aquatint and then coloured by hand. The aquatint provides soft tonal gradations, while the colouring sets a deliberate accent with the pink coat. Line etching and tonal areas interlock, allowing fine details such as precise shading.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)