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← Thomas Rowlandson Thomas Rowlandson — Standing Nude Man Supporting Fainting Female (Ludovisi Gaul in the Uffizi)

Standing Nude Man Supporting Fainting Female (Ludovisi Gaul in the Uffizi)

Original title: Standing Nude Man Supporting Fainting Female (Ludovisi Gaul in the Uffizi)

Artist
Thomas Rowlandson
Date
1780–1827
Medium
Watercolor
Dimensions
Sheet: 8 11/16 x 6 15/16 in. (22.1 x 17.6 cm)
Credit line
Bequest of Walter Carlebach, 1969

kurzbeschreibung

Thomas Rowlandson, best known for his satirical drawings, left this watercolor, made between 1780 and 1827. It shows a naked standing man supporting a kneeling woman. The sheet takes up the antique sculpture of the Ludovisi Gaul, which Rowlandson sketched on his journey to Italy.

Description

Two figures dominate the image: a muscular, unclothed man stands upright, holding a long object—likely a sword or staff—in his right hand. His face looks tense, his gaze directed upward. At his feet kneels a woman with curly hair who clings to a hanging cloth. The bodies are rendered in dramatic, agitated poses, suggesting a moment of tension or struggle. The background remains plain and dark; the coloring is largely limited to grays with light accents.

Context

The watercolor was probably made during Rowlandson's stay in Italy (1777–1780), when he studied and copied antique sculptures. The Ludovisi Gaul, a Hellenistic marble group, is now in the Uffizi in Florence and depicts a Gallic couple in a dramatic death scene. Rowlandson, otherwise known for his satirical drawings, here shows his interest in classical antiquity and its reception in the eighteenth century.

Impact

The high-contrast shading and expressive postures create immediate drama. The dark, reduced setting draws the eye to the physical tension of the figures and gives the scene an almost theatrical intensity.

Technique

Executed in watercolor on paper, with fine brushstrokes and carefully placed shading. Rowlandson used a monochrome palette of grays and light accents to model the volume and texture of the bodies. In the lower left is the signature “J. Rowlandson.”

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)