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← Giovanni Battista Piranesi Giovanni Battista Piranesi — Large marble vase decorated with a relief of the sacrifice of Iphigenia

Large marble vase decorated with a relief of the sacrifice of Iphigenia

Original title: Large marble vase decorated with a relief of the sacrifice of Iphigenia, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

Artist
Giovanni Battista Piranesi
Date
1778–80
Medium
Etching
Dimensions
Plate: 20 11/16 x 15 3/16 in. (52.5 x 38.5 cm) Sheet: 19 7/8 x 28 3/4 in. (50.5 x 73 cm) printed horizontally
Credit line
Rogers Fund, transferred from the Library

kurzbeschreibung

The sacrifice of Iphigenia unfolds across the surface of a large marble vase, captured by Giovanni Battista Piranesi in an etching from 1778–80. The print belongs to the second volume of his series Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi.

Description

A relief on the vase depicts the sacrifice of Iphigenia: a seated woman performs the offering, while other figures stand and move around her. The vase has a wide, flat mouth and a narrow, cylindrical foot; its body is adorned with delicate, round ornaments. The etching renders everything in monochrome grey tones, with even lighting that brings out the structure and details of the relief.

Context

With this etching, Piranesi documented and published ancient vases, candelabra, tombstones, sarcophagi, and other objects he studied in Rome. The volume appeared in 1778–80, during a phase in which he devoted himself intensively to the study and dissemination of ancient art. The Iphigenia theme is a common motif of Greek mythology and was often treated in ancient art.

Impact

The print conveys a precise, detailed impression of the ancient vase. The subtle lines and even lighting emphasize the sculptural effect of the relief. The monochrome grey palette creates a calm, factual mood that directs attention to the object's art-historical significance.

Technique

The print is executed as an etching, an intaglio process in which the drawing is incised into a metal plate etched with acid. Using fine lines and hatching, Piranesi reproduced the details of the relief and the vase's surface. The sheet is printed horizontally and has a plate size of approximately 52.5 x 38.5 cm.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)