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← Honoré Daumier Honoré Daumier — Plate 48: A Candidate, from 'Caricaturana,' published in Les Robert Macaires

Plate 48: A Candidate, from 'Caricaturana,' published in Les Robert Macaires

Original title: Plate 48: A Candidate, from 'Caricaturana,' published in Les Robert Macaires

Artist
Honoré Daumier
Date
1838
Medium
Lithograph on wove paper; second state of two (Delteil)
Dimensions
Image: 9 9/16 × 8 3/4 in. (24.3 × 22.2 cm) Sheet: 13 7/16 × 10 3/16 in. (34.1 × 25.9 cm)
Credit line
Gift of Edwin De T. Bechtel, 1953

kurzbeschreibung

Three men stand together in lively conversation, captured by Honoré Daumier in an 1838 lithograph. This print belongs to the 'Caricaturana' series and is the second of two states (Delteil), printed on wove paper.

Description

Three figures cluster at the centre: the two on the sides wear hats and suits, while the middle one has a striped blazer and waistcoat. The central figure rests his hand on the others, suggesting a discussion or an argument. A plain dark shadow sets the group off from the background. Below the scene is a text box headed 'Un candidat' with further explanation.

Context

Daumier published this lithograph in 1838 as part of 'Caricaturana', a series that appeared in the satirical journal 'Les Robert Macaires'. The series took aim at social and political ills during France's July Monarchy. Daumier was known for his sharp caricatures, which attacked corruption and abuse of power. This print emerged at a time when election campaigns and political office were often satirised.

Impact

The plain arrangement and bare background draw the eye to how the figures interact. The lithograph thus offers a critical view of electioneering and political manoeuvring without tipping into the grotesque. The calm yet precise linework gives the print a force that has not lost its relevance.

Technique

The work was printed as a lithograph on wove paper in the second of two states (Delteil). This process allows the fine lines and shading characteristic of Daumier's style. The gradations of grey and the detailed drawing testify to the artist's technical care.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)