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The Holy Family with Five Angels

Original title: The Holy Family with Five Angels

Artist
Albrecht Dürer
Date
ca. 1503
Medium
Woodcut
Dimensions
sheet: 8 1/2 x 5 3/4 in. (21.6 x 14.5 cm)
Credit line
Gift of Junius Spencer Morgan, 1919

kurzbeschreibung

The Holy Family with Five Angels is a woodcut by Albrecht Dürer, dated around 1503. The print depicts the Virgin Mary seated with the Christ Child, surrounded by five angels and the Holy Spirit. It is a masterful example of Dürer's graphic work from the early 16th century.

Description

The composition is centered on Mary, who holds the infant Jesus on her lap, with the Holy Spirit represented as a winged head with radiating rays above her. Five angels are arranged around the central group, each in a different pose and with distinct facial expressions; some hold flowers or other objects. The background includes trees and clouds, and the scene is illuminated from above, as indicated by the rays and the shadows cast on the figures and ground. The monochrome print uses dense, varied line work to create shading and depth, typical of Dürer's meticulous style.

Context

Dürer created this woodcut in Nuremberg around 1503, during a period when he was deeply engaged with religious subjects and the potential of printmaking. The work reflects the late Gothic and early Renaissance interest in intimate, humanized depictions of the Holy Family, while also showcasing Dürer's technical skill in the medium. It was likely intended for devotional use, as prints were widely distributed among both clergy and laity.

Impact

The print conveys a serene and reverent atmosphere, drawing the viewer's eye to the tender interaction between Mary and the Christ Child. The careful arrangement of the angels and the divine light create a sense of celestial harmony, while the intricate linework invites close inspection. Despite its small scale, the woodcut carries a monumental presence typical of Dürer's religious imagery.

Technique

The work is a woodcut, a relief printing technique in which the image is carved into a wooden block, inked, and transferred to paper. Dürer employed fine, cross-hatched lines to model form and suggest light, demonstrating his exceptional control over the medium. The print is monochromatic, relying on the contrast between black ink and the paper's white surface to achieve its visual effects.

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Source: Metropolitan Museum of Art · Public domain (CC0)