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← Honoré Daumier Honoré Daumier — My old Talma, you've got another thing coming!

My old Talma, you've got another thing coming!

Original title: My old Talma, you've got another thing coming!, from 'The third rate actors,' published in Le Journal Amusant, April 27, 1878

Artist
Honoré Daumier
Date
April 27, 1878
Medium
Lithograph on newsprint; second state of two (Delteil)
Dimensions
Image: 9 5/8 × 8 3/8 in. (24.4 × 21.3 cm) Sheet: 12 13/16 × 11 5/8 in. (32.5 × 29.5 cm)
Credit line
Rogers Fund, 1922

kurzbeschreibung

Honoré Daumier's lithograph 'Mein alter Talma, dir blüht noch was!' appeared in the Journal Amusant on April 27, 1878. It shows an actor standing before a mirror in a dark room, scrutinizing himself in despair. The print belongs to the series 'Les Cabotins' and was printed in black and white on newsprint.

Description

A capped man stands in a gloomy room facing a mirror, arms raised in a gesture of despair, and his reflection repeats the pose. In front, a candelabra throws light onto the figure. The plain backdrop pushes the performer to the fore. Beneath the image runs the caption 'Mon vieux Talma, tu peux te fouiller!'.

Context

Daumier made this lithograph for the satirical magazine Le Journal Amusant, known for its humorous and socially critical caricatures. The piece counts among the 'Les Cabotins' series, which examines the theater world and the vanity of its actors. The title alludes to the famous tragedian François-Joseph Talma, who stood as the very model of theatrical greatness. Daumier was by then an established caricaturist working regularly for various Paris papers.

Impact

The dark, pared-down layout creates an intimate and at the same time ironic mood. The figure's exaggerated gestures read as comic, yet also melancholy, stressing the ambivalence of the stage and its players. The viewer becomes a witness to a private self-examination that the caption turns into ridicule.

Technique

The lithograph was printed on newsprint, typical for mass distribution in satirical journals. This is the second state of two, as documented in the Delteil catalogue. The drawing is precise and detailed, with fine hatching that models the light and shadow in the room.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)