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Thanks, I can do quite well without!

Original title: Thanks, I can do quite well without!, from 'News of the day,' published in Le Charivari, December 29, 1871

Artist
Honoré Daumier
Date
December 29, 1871
Medium
Lithograph on newsprint; second state of two (Delteil)
Dimensions
Image: 9 1/8 × 7 7/8 in. (23.2 × 20 cm) Sheet: 12 1/2 in. × 11 in. (31.7 × 28 cm)
Credit line
Harris Brisbane Dick Fund, 1948

kurzbeschreibung

Honoré Daumier's lithograph appeared in the newspaper Le Charivari on December 29, 1871. It presents a satirical scene: a woman sits on a chair wearing a crown and holds a book inscribed “Révolution de la Forme.” Two men stand beside her, each holding a book with the same inscription. The print is a lithograph on newsprint, second state of two (Delteil).

Description

A crowned woman enthroned on a chair holds a book labeled “Révolution de la Forme.” To her left stands a bespectacled man with a worried expression; to her right, a man in uniform or coat, also anxious; both carry books with the same title. The layout is asymmetrical, drawing attention to the woman and the two men. Grays and whites dominate, with even lighting throughout.

Context

The caricature appeared in December 1871 in the satirical journal Le Charivari, shortly after the Franco-Prussian War and the Paris Commune. The political situation was unstable, and the Third French Republic had just been founded. Daumier used his lithographs to expose social and political grievances. The inscription “Révolution de la Forme” may allude to social change.

Impact

Exaggerated facial expressions and the uneven arrangement immediately create a satirical effect. The crowned woman and the worried men form an ironic tension that invites reflection. The reduced color palette underscores the serious yet humorous undertone.

Technique

Daumier worked with lithography on newsprint, a common method for mass publication in the 19th century. Lithography allowed him to produce quick, detailed prints. The second state (of two) suggests revisions made for publication.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)