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← Albrecht Dürer Albrecht Dürer — The Beast with the Seven Heads and the Beast with Lamb's Horns

The Beast with the Seven Heads and the Beast with Lamb's Horns

Original title: The Beast with the Seven Heads and the Beast with Lamb's Horns

Artist
Albrecht Dürer
Date
1511
Medium
Woodcut
Dimensions
sheet: 15 1/8 x 11 in. (38.4 x 27.9 cm)
Credit line
Gift of Junius Spencer Morgan, 1919

kurzbeschreibung

This woodcut from 1511 by Albrecht Dürer brings to life a vision from the Book of Revelation: the two beasts rising from sea and earth, surrounded by angels and the Antichrist. The subject belongs to Dürer's famous Apocalypse series.

Description

At the top sits a crowned figure with a sword, framed by clouds and a radiant backdrop; two angels flank it, one holding a lance. Below, several creatures with human heads appear, one with horns that are read as the seven heads of the beast. Among them crowd people in historical garments, seemingly threatened by the animals. The layout is symmetrical, with the central figure and angels forming the middle. Diffuse light falls from above, making the glowing figure stand out against the background.

Context

In 1511 Dürer released the third edition of his Apocalypse, which had first appeared in 1498. Created in Nuremberg, the series made him famous across Europe through its innovative printmaking technique and the combination of text and image. For the apocalyptic beasts he drew on biblical descriptions, capturing the end-times mood around 1500.

Impact

The precise linework and dramatic lighting strike the viewer as gloomy and menacing. The symmetrical arrangement heightens the monumentality of the event and draws the eye to the Antichrist in the middle.

Technique

The restriction to pure black and white forces the composition to work through line alone: Dürer uses fine strokes and hatching to build the figures, the clouds and the radiating background without any tonal colour. This linear severity sharpens the contrast between the enthroned figure above and the threatening hybrid creatures below, so that the apocalyptic scene reads as an almost graphic vision of light and shadow.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)