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Saint George and the Dragon

Original title: Saint George and the Dragon

Artist
Albrecht Dürer
Date
ca. 1504
Medium
Woodcut
Dimensions
sheet: 8 1/4 x 5 9/16 in. (21 x 14.1 cm)
Credit line
Gift of Junius Spencer Morgan, 1919

kurzbeschreibung

This woodcut by Albrecht Dürer, dated around 1504, depicts the legendary slaying of the dragon by Saint George. The composition centers on the armored knight on horseback, with the defeated dragon at his feet. The print is a masterful example of early Renaissance graphic art.

Description

The scene shows a knight in full armor and helmet, holding a lance in his right hand, riding a horse in mid-motion with one hind leg raised and forelegs spread. The dragon lies on the ground, its mouth wide open with visible teeth, clearly defeated. In the background, a figure stands on a mountain and another is visible in the distance, adding depth to the landscape. The composition is dynamic, focusing on the clash between rider and dragon, with monochrome ink and even lighting typical of woodcuts. Dürer's detailed lines and shading emphasize textures and forms.

Context

Dürer created this woodcut around 1504, during a period when he was highly productive in printmaking in Nuremberg. The legend of Saint George was a popular subject in Christian art, symbolizing the triumph of good over evil. Dürer's work reflects the Renaissance interest in classical themes and technical precision, and his prints were widely disseminated across Europe.

Impact

The print conveys a sense of action and tension through the dynamic pose of the horse and the dramatic confrontation. The intricate linework gives the scene a lively, almost tactile quality, drawing the viewer into the narrative. It balances heroic idealism with a realistic depiction of movement and detail.

Technique

This is a woodcut, a relief printing technique where the image is carved into a wooden block, inked, and pressed onto paper. Dürer's skilled use of fine, varied lines creates shading and texture, demonstrating his mastery of the medium. The print is monochromatic, relying on black ink and the white of the paper to define forms.

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Source: Metropolitan Museum of Art · Public domain (CC0)