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← Honoré Daumier Honoré Daumier — We worship you, beloved voter, from 'News of the day,' published in Le Charivari, May 5, 1869

We worship you, beloved voter, from 'News of the day,' published in Le Charivari, May 5, 1869

Original title: We worship you, beloved voter, from 'News of the day,' published in Le Charivari, May 5, 1869

Artist
Honoré Daumier
Date
May 5, 1869
Medium
Lithograph, pen and brown ink, and red pencil on newsprint; third state of four, proof (Delteil)
Dimensions
Image: 9 3/8 × 8 1/16 in. (23.8 × 20.5 cm) Sheet: 14 1/8 × 10 15/16 in. (35.8 × 27.8 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956

kurzbeschreibung

People lie flat on the ground and kneel before an oversized ballot box, praying to it. Honoré Daumier made this image in 1869. A lithograph reworked with pen, ink, and red pencil on newsprint, it survives as the third of four states and served as a proof.

Description

Some figures throw themselves face down, others kneel and stretch their arms upward. Their goal is a large urn inscribed 'URNE ELECTORALE', which radiates beams of light like a heavenly glow. Along the bottom edge of the sheet runs the word 'Adoremus!' (Let us adore!).

Context

The print appeared on 5 May 1869 in the satirical journal 'Le Charivari', within the series 'News of the day'. Daumier was taking aim at conditions under the Second Empire of Napoleon III, where elections were rigged and public opinion steered. The caricature scourges the blindness of voters who treat their ballot as an act of divine worship.

Impact

The figures' exaggerated devotion and the sacral air of the urn create an absurd, ironic contrast. The rays and gestures build a solemn atmosphere that tips into comedy through the profane object itself, a ballot box.

Technique

The work was executed as a lithograph, then reworked with pen, brown ink, and red pencil on newsprint. It is the third of four states and served as a proof. The mix of printing and hand-finishing reveals Daumier's method: he refined the plate after printing with drawn additions.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)