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← Honoré Daumier Honoré Daumier — A treacherous attitude, from 'News of the day,' published in Le Charivari, October 4, 1867

A treacherous attitude, from 'News of the day,' published in Le Charivari, October 4, 1867

Original title: A treacherous attitude, from 'News of the day,' published in Le Charivari, October 4, 1867

Artist
Honoré Daumier
Date
October 4, 1867
Medium
Lithograph on newsprint; third state of three (Delteil)
Dimensions
Image: 9 9/16 × 9 3/16 in. (24.3 × 23.4 cm) Sheet: 11 1/2 × 11 3/8 in. (29.2 × 28.9 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962

kurzbeschreibung

This lithograph by Honoré Daumier, titled 'A Clandestine Pose', appeared in the newspaper Le Charivari on 4 October 1867. It presents a satirical scene featuring the figure 'CANDIE' in an uncomfortable pose. The print is the third state of three (Delteil).

Description

On the right, the bearded figure 'CANDIE' crouches, wrapped in a garment, his posture betraying unease. A second person appears behind him, handling a rope or leash, suggesting coercion. A dark, cloudy sky above CANDIE's head deepens the somber mood. The black-and-white image, dominated by greys, is typical of lithographs of the period. The arrangement is asymmetrical: the main figure in the foreground, the secondary one behind.

Context

Le Charivari, the satirical newspaper, published this lithograph on 4 October 1867; Daumier worked regularly for the paper. He was known for political and social caricatures that often targeted authorities and abuses. The identity behind 'CANDIE' may be a contemporary person or a type, but it remains uncertain. Coercion and oppression fit Daumier's critical stance toward power relations in the Second Empire.

Impact

The exaggerated pose and the gloomy sky create an oppressive atmosphere. Expressive features and satirical bite prompt reflection on the social or political implications.

Technique

Lithography on newsprint—a process Daumier used for his caricatures in Le Charivari. The greys arise from the lithographic technique, which employs greasy chalk on stone. The print was issued in three states; this impression is the third.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)