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← Honoré Daumier Honoré Daumier — Coachman, for the hand of our daughter!..., from 'News of the day,' published in Le Charivari, June 6, 1867

Coachman, for the hand of our daughter!..., from 'News of the day,' published in Le Charivari, June 6, 1867

Original title: Coachman, for the hand of our daughter!..., from 'News of the day,' published in Le Charivari, June 6, 1867

Artist
Honoré Daumier
Date
June 6, 1867
Medium
Lithograph on newsprint; fourth state of four (Delteil)
Dimensions
Image: 10 1/16 in. × 9 in. (25.5 × 22.8 cm) Sheet: 12 1/4 × 12 3/16 in. (31.1 × 31 cm)
Credit line
Rogers Fund, 1922

kurzbeschreibung

Honoré Daumier's lithograph 'Kutscher, um die Hand unserer Tochter!...', dated 6 June 1867, belongs to the series 'News of the day' and was published in the journal Le Charivari. It presents a dramatic public scene in which several figures look upward, apparently caught up in a confrontation or an unusual event.

Description

Three main figures occupy the foreground: a man in shirt and trousers stretching upward, a woman in a long dress also gazing aloft, and a small boy kneeling on the ground and looking up. Behind them appear other people wearing hats, watching the main group as spectators or passers-by. The arrangement suggests a public confrontation or a dramatic incident in which those involved look upward in desperation. The black-and-white lithograph reveals a detailed structure of the figures and their surroundings.

Context

Daumier made this print for the series 'News of the day', which appeared regularly in the satirical journal Le Charivari. The date of 6 June 1867 falls during the Second Empire under Napoleon III, when Daumier often caricatured social and political abuses. The series took up current events and everyday situations, frequently with biting irony. This is the fourth state of four (Delteil), indicating careful reworking by the artist.

Impact

The upward gazes and stretched postures create an immediate tension that draws the viewer into the action. Ordinary figures in dramatic poses give the print a humorous yet thoughtful note, typical of Daumier's satirical style.

Technique

For this lithograph Daumier drew with grease crayon on the stone, from which the drawing was then transferred to paper. The work was printed on newsprint, as was usual for publications in Le Charivari. The black-and-white execution and delicate lines attest to Daumier's skill in lithographic rendering of movement and expression.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)