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← Albrecht Dürer Albrecht Dürer — The Adoration of the Lamb, from 'The Apocalypse', Latin Edition

The Adoration of the Lamb, from 'The Apocalypse', Latin Edition

Original title: The Adoration of the Lamb, from "The Apocalypse", Latin Edition

Artist
Albrecht Dürer
Date
1511
Medium
Woodcut
Dimensions
block: 15 3/8 x 10 15/16 in. (39 x 27.8 cm) sheet: 16 5/16 x 12 in. (41.4 x 30.5 cm)
Credit line
Gift of Junius Spencer Morgan, 1919

kurzbeschreibung

A lamb bearing a cross on its back, encircled by a radiant halo and a host of worshippers — this motif defines Albrecht Dürer's woodcut 'The Adoration of the Lamb' from 1511. The print belongs to his 'Apocalypse' series and appeared in a Latin edition of the Revelation of John. The veneration of the Lamb of God by numerous figures is the subject of the woodcut.

Description

A cross rests on the lamb's back; a bright ring surrounds it, emphasizing its divinity. Around it, figures kneel in traditional garments and pay homage to the animal. The layout is symmetrical, with the lamb as the focal point and the worshippers arranged around it. Sharp, detailed lines run throughout the sheet — a hallmark of Dürer's woodcut art. Diffuse light seems to fall from above, bringing out the rays around the lamb.

Context

The 'Apocalypse' series, to which this sheet belongs, was first published in 1498 and reissued in a Latin version in 1511. It illustrates the Revelation of John and is considered one of the first major book projects realized by an artist on his own responsibility. In his Nuremberg workshop, Dürer produced the woodcuts and supervised both the cutting and the printing. With the Latin edition of 1511, the work reached a learned European audience and spread Dürer's fame far beyond German-speaking lands.

Impact

The strict symmetry and clear central perspective create a solemn order that underscores the figures' devotion. Finest lines meet the luminous circle around the lamb, producing an almost meditative calm. The eye is drawn immediately to the central motif, making the theological significance of the adoration palpable.

Technique

Dürer's mastery of the woodcut medium is evident in the precise, fine lines that were achieved despite the material's usual coarseness. The monochrome print employs line alone to build light, shadow, and spatial depth, with the diffuse illumination from above emphasizing the radiant circle around the Lamb.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)