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← Honoré Daumier Honoré Daumier — The Prussian bluebeard getting ready to finish off another new Chamber of Deputies, from 'News of the day'

The Prussian bluebeard getting ready to finish off another new Chamber of Deputies, from 'News of the day'

Original title: The Prussian bluebeard getting ready to finish off another new Chamber of Deputies, from "News of the day"

Artist
Honoré Daumier
Date
March 13, 1866
Medium
Lithograph on newsprint; third state of three (Delteil)
Dimensions
Image: 9 3/4 × 8 7/8 in. (24.7 × 22.6 cm) Sheet: 11 9/16 × 11 1/2 in. (29.4 × 29.2 cm)
Credit line
Harris Brisbane Dick Fund, 1936

kurzbeschreibung

Honoré Daumier's 1866 lithograph caricatures a blue-haired figure who, saber in hand, is about to finish off another new chamber of deputies. Printed on newsprint, this is the third of three states (Delteil) from the series 'News of the Day.'

Description

A figure with blue hair leans on a saber in the foreground, ready to 'close' a new chamber. He wears a uniform and a cap-like headgear that suggests a helmet. Behind him, a chamber is visible where people sit and talk. This black-and-white caricature, evenly lit, keeps the figures and the humorous situation front and center.

Context

The lithograph appeared in March 1866, a time of political tension in Prussia as Minister President Otto von Bismarck clashed with the Prussian House of Deputies. Daumier, a French caricaturist, regularly commented on European political events in his series 'News of the Day.' The label 'Bluebeard' alludes to the fairy-tale wife-murderer and critiques Prussia's aggressive policy toward its parliament.

Impact

Through exaggeration and a humorous tone, the caricature feels both threatening and ridiculous. The blue-haired character with the saber creates an ironic distance from political reality and prompts reflection on the abuse of power.

Technique

Daumier used lithography on newsprint for his satirical prints. This third state of three (Delteil) represents the final version of the print. The process allowed for fine lines and shading that are crucial to the caricatural effect.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)