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← Honoré Daumier Honoré Daumier — A Visit to the Studio, from 'The Difficult Moments of Life,' published in Le Charivari, March 28-29, 1864

A Visit to the Studio, from 'The Difficult Moments of Life,' published in Le Charivari, March 28-29, 1864

Original title: A visit to the studio, from 'The difficult moments of life,' published in Le Charivari, March 28-29, 1864

Artist
Honoré Daumier
Date
March 28–29, 1864
Medium
Lithograph on newsprint; second state of two (Delteil)
Dimensions
Image: 9 5/16 × 8 9/16 in. (23.7 × 21.7 cm) Sheet: 11 7/8 × 11 1/8 in. (30.1 × 28.3 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962

kurzbeschreibung

Honoré Daumier made this lithograph in 1864 as part of his series 'Les Moments Difficiles de la Vie'. It shows a group of men in an artist's studio, all looking toward a door that is opening. The print was published in the satirical journal Le Charivari. This is a lithograph on newsprint, second state of two (Delteil).

Description

Men stand in the studio and turn toward the door as it opens. Their faces vary: some laugh, others look worried or surprised. The layout draws the eye to the entrance and to how those present react. Shades of gray dominate the sheet, as is usual for lithographs, with fine lines and hatching.

Context

Daumier brought out the series 'Les Moments Difficiles de la Vie' in Le Charivari, a journal known for political and social caricature. This lithograph appeared on 28–29 March 1864 and belongs to a set that exaggerates everyday but awkward situations with humor. Daumier was by then an experienced caricaturist and painter, valued for his close observation of bourgeois life.

Impact

The exaggerated faces are comic and alert at once. Tension arises between humor and unease, because the figures react so differently to the unexpected event at the door. The viewer is drawn into the situation and prompted to smile without losing the seriousness of the moment.

Technique

Daumier used lithography, a printing process that allows fine lines and hatching. It was printed on newsprint, which points to cheap mass production for the journal. The second state (Delteil) suggests revisions or corrections from the first.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)