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← Honoré Daumier Honoré Daumier — Bailiff at the commercial court, from 'Parisian Sketches,' published in Le Charivari, May 13, 1865

Bailiff at the commercial court, from 'Parisian Sketches,' published in Le Charivari, May 13, 1865

Original title: Bailiff at the commercial court, from 'Parisian Sketches,' published in Le Charivari, May 13, 1865

Artist
Honoré Daumier
Date
May 13, 1865
Medium
Lithograph on newsprint; second state of two (Delteil)
Dimensions
Image: 9 9/16 × 7 3/4 in. (24.3 × 19.7 cm) Sheet: 11 7/8 × 11 9/16 in. (30.1 × 29.4 cm)
Credit line
Rogers Fund, 1922

kurzbeschreibung

Honoré Daumier's lithograph from 1865 presents two men outside a debtors' prison. It belongs to the series 'Croquis Parisiens' and was published on May 13, 1865, in the satirical journal 'Le Charivari'.

Description

The eye is first caught by the inscription 'Prison pour dettes' above the entrance hall. On the left stands a gentleman in a top hat, holding a purse and fixing his counterpart with a stare; on the right, a second top-hatted man responds with a worried expression. Beneath the figures runs a line of text with the bailiff's ironic remark. The layout concentrates entirely on the pair and the lettering, rendered in graduated shades of grey.

Context

This lithograph was made for the series 'Croquis Parisiens' in the satirical newspaper 'Le Charivari'. It takes up the then-common practice of imprisonment for debt, by which insolvent persons were locked up. In 1865, when social questions were increasingly debated in public in France, the print found its place. Daumier was known for his critical insights into the justice system and the world of finance.

Impact

The contrast between the correctly dressed men and the biting irony of the caption immediately grips the viewer. Clean lines and the absence of extraneous detail make the print instantly legible. The monochrome approach reinforces the documentary air of the scene and lets the satirical tension come to the fore.

Technique

A lithograph on newsprint, in the second of two states (Delteil). The process allowed for nuanced shading and realistic details, as can be seen in the faces and clothing. The use of newsprint points to cost-effective production for the journal.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)