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← Honoré Daumier Honoré Daumier — New Parisian butcher's shop, from 'Sketches of the day,' published in Le Charivari, April 22, 1865

New Parisian butcher's shop, from 'Sketches of the day,' published in Le Charivari, April 22, 1865

Original title: New Parisian butcher's shop, from 'Sketches of the day,' published in Le Charivari, April 22, 1865

Artist
Honoré Daumier
Date
April 22, 1865
Medium
Lithograph on newsprint; second state of two (Delteil)
Dimensions
Image: 9 1/8 × 8 1/16 in. (23.1 × 20.5 cm) Sheet: 11 9/16 × 11 3/8 in. (29.3 × 28.9 cm)
Credit line
Gift of Harry G. Friedman, 1954

kurzbeschreibung

Unlike the many market scenes of the period that treat the daily bustle as harmless, Honoré Daumier sharpens the moment of sale in this 1865 lithograph: a butcher holds out a cut of meat to a woman, and her reaction wavers between surprise and shock. The sheet belongs to the series 'Croquis du jour' and survives in the second printing on newsprint.

Description

Everything in the layout steers toward the encounter between butcher and customer, with the man given clearly more weight than the woman. Cuts of meat hang on the shop wall, and more pieces lie arranged on plates along the counter in front. Black and white with many intermediate greys prevails, as is typical of lithography. The faces are deliberately exaggerated and caricatural, lending the subject a comic edge.

Context

The caricature appeared on 22 April 1865 in the satirical journal Le Charivari. It counts among Daumier's 'Croquis du jour', a series that took up and commented on scenes of everyday Parisian life. That the lithograph exists in its second state points to a reworking of the printing plate. Social and economic upheaval during the Second Empire finds its echo here.

Impact

Caricatural exaggeration makes the sheet both funny and critical. The woman's startled response and the butcher's commanding pose generate a lively, almost theatrical tension. Rendered in black and white, the scene gains in contrast and punch.

Technique

Daumier worked here in lithography on newsprint, a process he used routinely. Lithography allows subtle gradations of grey and fast reproduction, which suited publication in a daily paper. The second state suggests the drawing was corrected or refined before the final edition was printed.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)