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← Honoré Daumier Honoré Daumier — They seem to be planning a conspiracy...., from 'On the train,' published in Le Charivari, August 20, 1864

They seem to be planning a conspiracy...., from 'On the train,' published in Le Charivari, August 20, 1864

Original title: They seem to be planning a conspiracy...., from 'On the train,' published in Le Charivari, August 20, 1864

Artist
Honoré Daumier
Date
August 20, 1864
Medium
Lithograph on newsprint; second state of two (Delteil)
Dimensions
Image: 8 7/8 × 8 7/8 in. (22.5 × 22.6 cm) Sheet: 12 1/16 × 11 9/16 in. (30.7 × 29.3 cm)
Credit line
Gift of Harry G. Friedman, 1954

kurzbeschreibung

Unlike many travel pictures of the period that look outward at the scenery, Honoré Daumier's 1864 lithograph turns its gaze inside a train compartment, where three men are absorbed in animated conversation. The print belongs to the series 'En Chemin de Fer' and appeared in the satirical journal Le Charivari. It captures an everyday encounter in nineteenth-century public transport.

Description

Three men occupy a railway carriage. The middle one, wearing a top hat, addresses the man on the left while the man on the right listens attentively. Gestures and facial expressions create an atmosphere of deliberation. The plain backdrop indicates the wooden interior of the train. Horizontally, the figures are arranged centrally; below, a text panel with a short French narrative runs across the image.

Context

This print was made for the series 'En Chemin de Fer' in the French satirical journal Le Charivari and published on 20 August 1864; it belongs to a group of depictions of modern travel. Daumier often took up social types and everyday situations of the Second Empire in his work. At the time, the railway stood as a symbol of progress and social change.

Impact

The reduced visual language and the concentrated group of figures give the scene an immediate, lifelike quality. Dense hatching creates atmospheric depth and emphasizes the intimate conversational situation. In this way, Daumier succeeds in inscribing subtle irony into an everyday encounter.

Technique

The work is executed as a lithograph on newsprint, in the second state of two (Delteil). Textures and shadows arise mainly through hatching. The black-and-white execution corresponds to the satirical prints in Le Charivari.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)