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← Honoré Daumier Honoré Daumier — We shouldn't be unfair..., from 'Parisian sketches,' published in Le Charivari, May 12, 1864

We shouldn't be unfair..., from 'Parisian sketches,' published in Le Charivari, May 12, 1864

Original title: We shouldn't be unfair..., from 'Parisian sketches,' published in Le Charivari, May 12, 1864

Artist
Honoré Daumier
Date
May 12, 1864
Medium
Lithograph on newsprint; second state of two (Delteil)
Dimensions
Image: 9 3/8 × 8 1/8 in. (23.8 × 20.6 cm) Sheet: 11 3/4 × 10 3/4 in. (29.8 × 27.3 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962

kurzbeschreibung

Honoré Daumier's lithograph 'We Shouldn't Be Unfair...' appeared on 12 May 1864 in the satirical journal Le Charivari. Three men are seen in a café, deep in conversation. The print belongs to the series 'Parisian Sketches' and is considered an example of Daumier's socially critical caricature.

Description

Your eye is first drawn to the three men at the table; their postures and expressions immediately hold your attention. Two are engrossed in conversation, while the third, wearing a tall top hat, listens. Their faces reflect different emotions, from concern to mild amusement. The background shows a lively street with passersby and a streetlamp. The subdued light creates a realistic yet slightly humorous mood.

Context

The lithograph was published in Le Charivari, a French satirical journal known for its political and social caricatures. Daumier's series 'Croquis Parisiens' (Parisian Sketches) commented on everyday life in Paris with humor. The print was made during the Second Empire under Napoleon III, an era of political censorship in which caricatures often exercised subtle criticism.

Impact

The café scene feels immediately alive thanks to the precise facial expressions and the realistic setting. The light humor in the faces invites viewers to imagine themselves in the situation. Everyday observation and a fine ironic note come together in this print.

Technique

This is a lithograph on newsprint, a common process for satirical prints at the time. It is the second of two states (Delteil), which suggests the printing plate was reworked. Gray tones and fine hatching are characteristic of Daumier's lithographic technique.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)