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← Honoré Daumier Honoré Daumier — In the theater - a gripping fourth act, from 'Theater sketches'

In the theater - a gripping fourth act, from 'Theater sketches'

Original title: In the theater - a gripping fourth act, from 'Theater sketches'

Artist
Honoré Daumier
Date
February 13, 1864
Medium
Lithograph; first state of two, proof (Deltiel)
Dimensions
Image: 8 5/8 × 8 3/8 in. (21.9 × 21.2 cm) Sheet: 13 1/8 in. × 11 in. (33.4 × 28 cm)
Credit line
Rogers Fund, 1922

kurzbeschreibung

In February 1864 Honoré Daumier lithographed two theatregoers caught up in a performance. An older gentleman and a lady sit side by side, and both their expressions and their bearing show how deeply they are drawn into what is happening on stage.

Description

At the front left sits an elderly man in a dark suit; beside him on the right, a woman in a pale dress holds a handkerchief in her hand. His face looks troubled, hers plainly moved. Behind the pair, faint outlines suggest other members of the audience. The layout runs vertically, and the stepped greys spread a soft, charged light across the sheet.

Context

For the satirical journal Le Charivari, Daumier drew his series 'Theatrical Sketches', in which he took aim at the Parisian audience of the nineteenth century. This sheet appeared on 13 February 1864 and belongs to a run that follows theatregoers' behaviour with wit. The artist was regarded as a sharp observer of bourgeois everyday life, which he liked to record with a socially critical undertone.

Impact

A dense emotional tension hangs over the image, heightened by the two main figures' contrasting reactions. Because the greys stay sparing and the figures behind are blurred, attention settles entirely on their faces — the mood turns intimate, almost as if one were secretly watching the pair.

Technique

Printing was done by lithography, a flat process that allows fine transitions between light and dark. The present sheet is a proof of the first of two states (Delteil), which points to careful reworking of the stone. The method made it possible to pull many impressions quickly for publication in the newspaper.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)