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← Honoré Daumier Honoré Daumier — Deux chasseurs altérés, from Croquis de Chasse, published in Le Charivari, September 20, 1859

Deux chasseurs altérés, from Croquis de Chasse, published in Le Charivari, September 20, 1859

Original title: Deux chasseurs altérés, from Croquis de Chasse, published in Le Charivari, September 20, 1859

Artist
Honoré Daumier
Date
September 20, 1859
Medium
Lithograph on newsprint; second state of two (Delteil)
Dimensions
Image: 8 13/16 × 10 15/16 in. (22.4 × 27.8 cm) Sheet: 11 3/4 × 11 9/16 in. (29.8 × 29.4 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953

kurzbeschreibung

Unlike the other sheets in Daumier's hunting series, this lithograph turns entirely on the behaviour of the animals and leaves the hunter himself out of the picture. 'Deux chasseurs altérés' was made in September 1859, printed on newsprint, and survives in the second of two states. It belongs to the 'Croquis de Chasse', which appeared in the satirical paper Le Charivari.

Description

A dog with its tail raised steps up to the watering hole, while a second kneels to the right and lowers its head toward the same spot. A discarded hunting hat lies on the ground between them. The layout stays flat and the horizon low; in the foreground, wavy lines and reflections suggest the surface of the water. The lithograph's greys rely on clear contours and graded shading.

Context

The sheet came out in Le Charivari on 20 September 1859, as part of the 'Croquis de Chasse' series. Daumier liked to pick up the oddities of bourgeois daily life, and here it is the passion for hunting, which was thriving at the time as a middle-class leisure pursuit. Printing the graphic on newsprint matched the usual practice of press illustration in those years.

Impact

The calm arrangement and close observation of the dogs give the sheet an almost matter-of-fact air. The joking title 'Two Thirsty Hunters' stands in tension with that and tilts the work toward irony, though the image itself never spells out a joke.

Technique

Lithography allowed fine lines and soft shading. It was printed on newsprint, as the mass circulation of magazines required. At the lower left is the signature 'H.D.', which identifies Daumier as the author.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)