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← Honoré Daumier Honoré Daumier — Un parasol dans une position difficule, from "Actualités"

Un parasol dans une position difficule, from "Actualités"

Original title: Un parasol dans une position difficule, from "Actualités"

Artist
Honoré Daumier
Date
November 25, 1859
Medium
Lithograph on newsprint; second state of three (Delteil)
Dimensions
Image: 9 1/8 × 11 1/16 in. (23.2 × 28.1 cm) Sheet: 11 9/16 × 11 1/2 in. (29.4 × 29.2 cm)
Credit line
Harris Brisbane Dick Fund, 1936

kurzbeschreibung

A single umbrella, wedged fast between two flags marked 'ESPAGNE' and 'FRANCE' — that is how Honoré Daumier sums up the political situation in November 1859. The lithograph, titled 'Un parasol dans une position difficile', belongs to the 'Actualités' series and survives here in the second of three printed states, pulled on newsprint.

Description

A figure stands between two standard-bearers, gripping the umbrella tight: the banner 'ESPAGNE' streams to the left, 'FRANCE' to the right. Bodies are exaggerated, heads oversized, the stances close to slapstick. Behind the three of them a street with passers-by is merely hinted at. Black against white dominates the sheet, while newsprint column text and numerals show through the thin paper — the everyday grind of the press becomes part of the drawing.

Context

On 25 November 1859 the print appeared in 'Le Charivari' as part of the 'Actualités' series. Daumier was responding to tensions between France and Spain stirred up by the Italian campaign and the question of the Spanish succession. Caricatures of this kind were quick commentary on the news of the day, and printing on newsprint — here the second of three states — matched their mass distribution.

Impact

The stretched proportions and the absurd squeeze make the scene funny at first, then give pause. Look at the umbrella handler and you see a political bind, with France caught between fronts. Household object and state symbolism collide, and that collision is where the print draws its satirical force — one that still lands today.

Technique

Lithography, pulled on newsprint, in black and white. Thin strokes and hatching make figures and flags stand out clearly. Daumier turned to this method often for his satirical sheets because it allowed fast, cheap editions — a precondition for reporting the day's events in pictures.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)