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← Honoré Daumier Honoré Daumier — Mossieu le directeur, from Croquis Dramatiques

Mossieu le directeur, from Croquis Dramatiques

Original title: Mossieu le directeur, from Croquis Dramatiques, published in "Le Charivari"

Artist
Honoré Daumier
Date
December 11, 1856
Medium
Lithograph; second state of two (Delteil)
Dimensions
Sheet: 10 11/16 × 14 1/16 in. (27.2 × 35.7 cm) Image: 7 7/8 × 9 9/16 in. (20 × 24.3 cm)
Credit line
Bequest of Edwin De T. Bechtel, 1957

kurzbeschreibung

From Honoré Daumier's series 'Croquis Dramatiques' comes the lithograph 'Monsieur le Directeur', published in 'Le Charivari' on December 11, 1856. A theatre scene unfolds here: a man in front, a dancer beside him, and other figures besides. The black-and-white print displays Daumier's satirical eye for the theatrical world of his day.

Description

Up front stands a gentleman in a suit, arms crossed, his face pensive and almost worried. At his side a woman in ballet costume leans slightly toward him and engages with him. Behind them two people are absorbed in conversation, while two more remain only faintly discernible at the edge. The layout is weighted unevenly and draws the eye to the couple in front. Hatching and lines of the lithograph produce a monochrome play of light and shadow.

Context

In 1856 Daumier was working regularly for the satirical paper 'Le Charivari'. The 'Croquis Dramatiques' series was devoted to Parisian theatre life and its types, and the artist liked to exaggerate social and professional quirks. The present sheet is the second of two states (Delteil); it appeared within a larger series that was popular with the public. Daumier drew his critical and cheerful scenes from observations of everyday city life.

Impact

The man's posture and his interplay with the dancer give the scene something immediate and alive. Daumier's caricaturing stroke lends the sheet a cheerful yet thoughtful tone that invites a smile. Because everything stays in black and white and the lines are used sparingly, the figures stand out clearly in their expressiveness.

Technique

The sheet was printed as a lithograph: one draws with greasy chalk on the stone and pulls the impressions from it. Daumier handled this process confidently and used it for his satirical series. The print measures 27.2 × 35.7 cm; the drawing is rich in detail and works with graduated shading.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)