Art Archive

← Honoré Daumier Honoré Daumier — Le mauvais côté des nouveaux omnibus, from Croquis Parisiens, published in Le Charivari, September 4, 1856

Le mauvais côté des nouveaux omnibus, from Croquis Parisiens, published in Le Charivari, September 4, 1856

Original title: Le mauvais côté des nouveaux omnibus, from Croquis Parisiens, published in Le Charivari, September 4, 1856

Artist
Honoré Daumier
Date
September 4, 1856
Medium
Lithograph; second state of two (Delteil)
Dimensions
Sheet: 14 5/8 × 10 1/16 in. (37.2 × 25.6 cm) Image: 10 1/8 × 7 7/8 in. (25.7 × 20 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962

kurzbeschreibung

People jostle at the rear of an omnibus, one already hoisting himself inside — Honoré Daumier captured this scene on September 4, 1856, in a lithograph. Titled “Die Kehrseite der neuen Omnibusse” (The Rear of the New Omnibuses), the print belongs to the “Croquis Parisiens” series and appeared in the journal “Le Charivari.” It offers a slice of Parisian daily life as passengers squeeze into an overcrowded vehicle.

Description

Seen from behind, an omnibus stands open as several people push in at once. Some passengers are already packed tightly inside; others hurry from the sides, still trying to board. The layout feels restless and captures the crush. The rendering remains monochrome; even light and realistic details — shading and lines — make fabric folds and the vehicle’s construction legible.

Context

For the satirical newspaper “Le Charivari,” Daumier drew the “Croquis Parisiens” series regularly, skewering social and political grievances. The sheet of September 4, 1856, targets the newly introduced Paris omnibuses, which were considered overcrowded and uncomfortable. With the series, the artist aimed to spotlight everyday scenes of city life with humor and a critical eye.

Impact

The crowded scene and the visible discomfort of the passengers provoke an almost comic irritation in the viewer. The restless arrangement and detailed execution convey the tightness and haste of the moment. At the same time, the print prompts reflection on the social conditions in 19th-century Paris.

Technique

Executed as a lithograph, the work exists in its second state of two (Delteil). This process allows fine lines and shading, which are used here for a realistic rendering of the scene. The sheet measures 37.2 × 25.6 cm, the image itself 25.7 × 20 cm.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)