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← Honoré Daumier Honoré Daumier — Un Leçon de Botanique, from "Croquis Parisiens"

Un Leçon de Botanique, from "Croquis Parisiens"

Original title: Un Leçon de Botanique, from "Croquis Parisiens"

Artist
Honoré Daumier
Date
December 2, 1851
Medium
Lithograph; third state of three (Delteil)
Dimensions
Sheet: 14 3/8 in. × 10 in. (36.5 × 25.4 cm)
Credit line
Bequest of Edwin De T. Bechtel, 1957

kurzbeschreibung

Honoré Daumier made this lithograph, titled 'Un Leçon de Botanique', on December 2, 1851, as part of his 'Croquis Parisiens' series. Two figures face each other: on the left, someone in a hat with a walking stick; on the right, a figure standing on a cloud, holding a stick and an arrow-like object. Rendered in shades of gray, the print bears the caption 'Chacun son tour'.

Description

Two figures confront each other on the sheet: at left, a hat-wearer with a long stick; at right, a person on a cloud holding a stick in one hand and something arrow- or sword-like in the other. The right-hand figure is placed slightly higher, giving it an otherworldly or mythical air. The background stays plain; along the bottom edge runs the text 'Chacun son tour'. The layout feels asymmetrical, the style sketchy, with grays and whites dominating.

Context

Daumier created this lithograph in Paris in 1851, during a period of political upheaval following the February Revolution of 1848 and Louis Napoleon's coup d'état on December 2, 1851. Known for his satirical prints, Daumier published the 'Croquis Parisiens' series in journals such as 'Le Charivari'. The motif reflects the social tensions of the time and the role of botany as a metaphor for order and nature in the modern city.

Impact

The print produces an unsettling mix of the everyday and the supernatural that invites reflection. The subdued palette and sketchy linework give the work an immediacy that feels almost documentary.

Technique

This is a lithograph in the third state of three, as recorded in the Delteil catalogue. In lithography, a flat printing process, the artist draws with greasy chalk on a limestone block, which is then printed. The gray tones come from strokes and hatching of varying density, creating a lively surface.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)