Art Archive

← Albrecht Dürer Albrecht Dürer — The Annunciation, from "The Small Passion"
Advertising (Werkseite Mitte) — AdSense slot In-Content

The Annunciation, from "The Small Passion"

Original title: The Annunciation, from "The Small Passion"

Artist
Albrecht Dürer
Date
ca. 1510
Medium
Woodcut
Dimensions
sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm)
Credit line
Gift of Junius Spencer Morgan, 1919

kurzbeschreibung

Albrecht Dürer's woodcut 'The Annunciation' (ca. 1510) depicts the moment the angel Gabriel appears to the Virgin Mary. Part of the 'Small Passion' series, this print captures the sacred encounter with remarkable detail and emotional intensity.

Description

Mary kneels in prayer at the center, her head bowed and hands clasped, wearing a flowing robe with a cross on her chest. To the left, the angel Gabriel stands with wings spread wide, one hand raised in a gesture of explanation or offering, his face expressing awe. Behind Mary, a door stands ajar and a window lets in a radiant beam of light, while a bird—likely a dove—hovers in the background, symbolizing the Holy Spirit. In the upper left, a small figure sits on a boat, gazing upward, adding a secondary narrative element to the scene.

Context

The 'Small Passion' is a series of 36 woodcuts by Dürer, published in 1511, illustrating the life and suffering of Christ. This print, created around 1510, was part of a popular devotional work that made biblical scenes accessible to a broad audience. Dürer's innovative use of the woodcut medium helped elevate it from a craft to a fine art form during the Northern Renaissance.

Impact

The composition balances the intimate moment between Mary and Gabriel with a sense of divine intervention, conveyed through the stark contrast of black and white. The detailed lines and expressive faces draw the viewer into the spiritual drama, while the inclusion of symbolic elements like the dove and the light enriches the narrative. The print's clarity and precision make it a powerful visual meditation on the Annunciation.

Technique

Dürer employed the woodcut technique, carving the design into a wooden block, inking it, and pressing it onto paper. The result is a high-contrast image with fine, precise lines that demonstrate his masterful control of the medium. The use of cross-hatching and varied line weights creates depth and texture, characteristic of Dürer's printmaking.

AI-generated description text

Source: Metropolitan Museum of Art · Public domain (CC0)