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Artists Examining the Work of a Rival (Artistes en train d'examiner le tableau d'un rival), from Le Public du Salon, published in "Le Charivari"

Original title: Artists Examining the Work of a Rival (Artistes en train d'examiner le tableau d'un rival), from Le Public du Salon, published in "Le Charivari"

Artist
Honoré Daumier
Date
May 14, 1852
Medium
Lithograph; second state of two (Delteil)
Dimensions
Sheet: 14 1/16 × 10 5/8 in. (35.7 × 27 cm) Image: 9 13/16 × 8 7/16 in. (25 × 21.4 cm)
Credit line
Rogers Fund, 1922

kurzbeschreibung

Men in top hats and caps crowd around a painting, scrutinizing it with appraising eyes—Honoré Daumier captured this scene in a lithograph in 1852. The print comes from the series "Le Public du Salon" and lampoons the audience at the Paris art exhibition. It was printed in the second of two states (Delteil).

Description

Several figures in hats and jackets have gathered around a picture in a room; their expressions are clearly exaggerated, wavering between astonishment and tense curiosity. On the wall behind hangs another painting, in which men can also be made out. The people are arranged in a staggered horizontal row, all turned toward the central work. The lithograph remains monochrome, the light evenly distributed, the drawing style caricatural and cheerful.

Context

Daumier drew this lithograph for the satirical magazine "Le Charivari," which regularly published his art criticism and social satire. The series "Le Public du Salon" took aim at the goings-on of visitors at the official Paris art exhibitions. The print was made in 1852, during a period of political upheaval following the 1848 revolution and the founding of the Second Empire. For Daumier, lithography served as a means to mock social types and artistic vanity.

Impact

The distorted faces and the comic grouping of the men come across as both amusing and satirical. Viewers smile and, almost incidentally, are prompted to reflect on the vanity of the art world. Although the scene is static, it feels lively and animated.

Technique

For the lithograph, the drawing was transferred to a stone and printed from it; the process allows fine lines and graded shading. The present impression is the second of two states (Delteil), suggesting that the plate was reworked. The sheet measures 35.7 × 27 cm, the image area 25 × 21.4 cm—a format typical for magazine caricatures.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)