Art Archive

← Albrecht Dürer Albrecht Dürer — The Assumption and Coronation of the Virgin, from The Life of the Virgin
Advertising (Werkseite Mitte) — AdSense slot In-Content

The Assumption and Coronation of the Virgin, from The Life of the Virgin

Original title: The Assumption and Coronation of the Virgin, from The Life of the Virgin

Artist
Albrecht Dürer
Date
1510
Medium
Woodcut
Dimensions
11 7/16 x 8 3/16 in. (29.1 x 20.8 cm)
Credit line
Gift of Mrs. Charles Pratt, 1957

kurzbeschreibung

This woodcut, created by Albrecht Dürer in 1510, depicts the Assumption and Coronation of the Virgin Mary. Part of the series 'The Life of the Virgin,' it shows Mary being crowned by an angel in a heavenly setting. The scene is rendered in black and white with intricate linework typical of Dürer's printmaking.

Description

The composition centers on the Virgin Mary, seated on a throne and surrounded by clouds and a radiant background. To her left, an apostle holding a book, likely John, and to her right, another with a snake, likely Peter, both wearing crowns and holding staffs. Below, a row of figures in traditional robes gaze upward, some holding books or wreaths. The scene is symmetrically arranged, with Mary as the focal point, and the rays and clouds create a celestial atmosphere.

Context

Dürer created this woodcut as part of his 'Life of the Virgin' series, which he worked on between 1500 and 1510. The series was widely circulated and contributed to Dürer's reputation as a master printmaker. The subject reflects late medieval and Renaissance devotional interest in the Virgin Mary, particularly her assumption into heaven and coronation as Queen of Heaven.

Impact

The detailed, sharp lines and symmetrical composition give the image a sense of order and solemnity. The heavenly radiance and the figures' reverent poses evoke a feeling of divine majesty and spiritual contemplation. Dürer's precise engraving technique lends the scene a clarity that draws the viewer into the sacred event.

Technique

The work is a woodcut, a relief printing technique where the image is carved into a wooden block, inked, and transferred to paper. Dürer's woodcuts are noted for their fine, detailed lines and careful use of cross-hatching to create tonal variation. The black-and-white palette relies on line density and composition to convey depth and light.

AI-generated description text

Source: Metropolitan Museum of Art · Public domain (CC0)