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← John Singleton Copley John Singleton Copley — Study for "The Siege of Gibraltar": Three Figures

Study for "The Siege of Gibraltar": Three Figures

Original title: Study for "The Siege of Gibraltar": Three Figures

Artist
John Singleton Copley
Date
1785–86
Medium
Black and red chalk on blue laid paper
Dimensions
14 3/8 x 23 in. (36.5 x 58.4 cm)
Credit line
Harris Brisbane Dick Fund, 1960

kurzbeschreibung

Three figures in violent motion fill this sheet by John Singleton Copley from 1785–86. Drawn in black and red chalk on blue laid paper, it was made as a preparatory study for the monumental painting The Siege of Gibraltar. The sheet measures 36.5 x 58.4 cm.

Description

One figure lies stretched on the ground while two others step over it or hurry toward it. Arms and legs are drawn in extreme positions, their contours merging to convey rapid movement. The background stays sparse; a grid runs across the blue paper, likely used to plan the composition. Black and red stand out clearly against the blue ground.

Context

This study was made as preparatory work for Copley's large history painting The Siege of Gibraltar (1783–1791). Its subject is the defence of the British fortress during the Spanish-French siege of 1779–1783. Copley painted the work for the Royal Academy in London; it ranks among his most ambitious undertakings. The drawing served to test figure groups and sequences of movement for the battle scene.

Impact

Immediate dynamism comes through in the quick strokes, and the linework feels expressive and decisive. Red and black on blue paper give the sheet a fresh, sketch-like liveliness. With all accessories omitted, the viewer's attention is fixed entirely on the movement study of the three bodies.

Technique

For this study Copley used black and red chalk on blue laid paper—a common combination for drawings that allows both contrast and fine gradations. The lines are precise and partly flowing, suggesting a confident hand. The drawn grid indicates that the layout was to be transferred systematically to the final scale.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)