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← Francesco Bartolozzi Francesco Bartolozzi — John Henderson, in the Character of Iago (Shakespeare's "Othello")

John Henderson, in the Character of Iago (Shakespeare's "Othello")

Original title: John Henderson, in the Character of Iago (Shakespeare's "Othello")

Artist
Francesco Bartolozzi
Date
1786
Medium
Stipple engraving and etching; second state of three
Dimensions
Sheet: 8 3/4 × 6 1/2 in. (22.3 × 16.5 cm) (clipped impression)
Credit line
Harris Brisbane Dick Fund, 1917

kurzbeschreibung

Unlike many eighteenth-century actor portraits that rely on a formal, representative pose, this print captures John Henderson as Iago in a pensive, almost withdrawn attitude. Francesco Bartolozzi produced it in 1786 using stipple engraving and etching; it is the second of three states. The portrait is designed as a bust within an oval.

Description

Henderson's head appears in profile, turned slightly to the right. His expression is brooding and a little somber; his wavy hair is brushed back. He wears a shirt with a slightly protruding collar. The arrangement focuses entirely on the figure, leaving the background blank so that the gaze and upper body are emphasized. The gray tones are even, without harsh shadows, and the stipple technique gives the sheet a fine grain.

Context

The portrait was made in 1786 in London, where Henderson was celebrated as a Shakespearean actor. The publisher's imprint names Baldwin in Catherine Street in the Strand, a publisher typical for theatrical prints. Such actor portraits were highly popular in the eighteenth century and served to market stage stars. Bartolozzi, an Italian engraver, was famous for his stippling technique, which he established in England.

Impact

A quiet, inward mood emanates from the print, fitting Iago's insidious nature. The fine stippling creates a soft, almost painterly surface that stands out from simple line engravings. The empty background and central placement give the figure a monumental presence.

Technique

Stipple engraving and etching are combined here; the image structure is built up from fine dots. This method allows subtle tonal gradations and a detailed rendering of facial features and fabric. The print on paper measures 22.3 × 16.5 cm, and the margin has been trimmed.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)