Art Archive

← Albert Bierstadt Albert Bierstadt — Two Landscape Sketches with Trees and Mountains (from Sketchbook)

Two Landscape Sketches with Trees and Mountains (from Sketchbook)

Original title: Two Landscape Sketches with Trees and Mountains (from Sketchbook)

Artist
Albert Bierstadt
Date
1890
Medium
Graphite on wove paper
Dimensions
4 3/4 x 7 3/4 in. (12.1 x 19.7 cm)
Credit line
Bequest of Marguerite H. Rohlfs, 1995

kurzbeschreibung

Dated 1890, this sheet comes from a sketchbook kept by Albert Bierstadt and holds two landscape studies in graphite on wove paper. The upper one records trees before gently rising hills; the lower one shows a wooded setting with a winding stream or river. Studies like these served him as groundwork for later paintings, fixing what he came across while travelling.

Description

Two separate landscape studies sit one above the other on a single sheet. In the upper part a stand of trees rises against hills that step back and darken toward the distance. Below, a related motif returns, now enriched by a watercourse threading between the tree forms. Spare strokes suggest crowns and terrain; much is left open and unfinished. Only graphite is used, and the light falls evenly, which points to indoor or artificial illumination.

Context

Bierstadt, born in 1830 and dead in 1902, was a German-American painter associated with the Hudson River School and became known for large-scale views of the American West. This sketchbook page from 1890 belongs to a period when he was still travelling, gathering impressions outdoors for work in the studio. Such studies served as visual notes, helping him prepare composition and detail for later paintings. By the 1890s his fame was already fading, yet he kept working without pause.

Impact

Because everything superfluous drops away, the studies come before the viewer directly and with life. A quiet, atmospheric mood grows out of a few strokes — the kind of regard for nature that was peculiar to Bierstadt. One seems to look into the artist's workshop, and that gives the sheet its documentary value.

Technique

Graphite on wove paper, an ordinary material for sketching, forms the base. Delicate, thin lines outline the shapes of the land, while strong contrasts or hatching are largely absent. The result has the character of a swift nature study, concerned above all with scale and pictorial structure.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)