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← Albert Bierstadt Albert Bierstadt — Mountain Sketch (from Sketchbook) (1890, Met-Objekt 2690)

Mountain Sketch (from Sketchbook) (1890, Met-Objekt 2690)

Original title: Mountain Sketch (from Sketchbook)

Artist
Albert Bierstadt
Date
1890
Medium
Graphite on wove paper
Dimensions
4 3/4 x 7 3/4 in. (12.1 x 19.7 cm)
Credit line
Bequest of Marguerite H. Rohlfs, 1995

kurzbeschreibung

Albert Bierstadt's Bergskizze (Mountain Sketch) from 1890 is a graphite study on wove paper, a spontaneous notebook entry capturing a mountain motif. Measuring 12.1 by 19.7 cm, the sheet presents a simple yet memorable peak rising above a flat plain.

Description

A mountain rises, its summit leaning slightly to the right and seemingly wrapped in a cloud. Before it, flat, wavy lines suggest a plain or landscape. The drawing remains black and white—graphite on white paper—with no other colors. The strokes are loose and expressive, indicating a rapid execution. No figures or objects appear; the layout focuses entirely on the mountain and the foreground.

Context

The German-American painter Albert Bierstadt (1830–1902), a member of the Hudson River School, became famous for his large-scale landscapes of the American West. By 1890, when this sketch was made, he was already internationally established. He used sketchbooks as visual notebooks for later paintings, though this study may not have led directly to a major work. The small sheet demonstrates his ongoing engagement with mountain landscapes, which he recorded on numerous travels.

Impact

The viewer's eye is immediately drawn to the loose lines that convey an immediate, almost fleeting perception of the mountain scene. Calm and concentration emanate from the sparse shading and clear structure; the drawing gesture comes to the fore. One feels reminded of an intimate, personal observation.

Technique

Graphite on wove paper—an absorbent support that allows fine lines and light shading—forms the basis. The strokes are loose and expressive, suggesting a quick, spontaneous pencil drawing. Shading remains minimal, with form captured mainly through outline; this reveals a typical sketching technique aimed at capturing shape.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)