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← Albrecht Dürer Albrecht Dürer — Knight, Death and the Devil (1513, Met-Objekt 268)

Knight, Death and the Devil (1513, Met-Objekt 268)

Original title: Knight, Death and the Devil

Artist
Albrecht Dürer
Date
1513
Medium
Engraving
Dimensions
sheet: 9 5/8 x 7 7/16 in. (24.4 x 18.9 cm)
Credit line
The Sylmaris Collection, Gift of George Coe Graves, 1920

kurzbeschreibung

Albrecht Dürer's engraving 'Knight, Death, and Devil' from 1513 shows an armored rider on horseback, lance in hand, moving through rocky terrain. A dog runs alongside, while the allegorical figures of Death and the Devil appear at the edge of the path.

Description

A knight in full plate armor sits on a sturdy horse that steps forward calmly. The rider wears a closed helmet with a plume and holds a long lance horizontally in his right hand. A lean dog with downcast eyes trots beside the horse. On the left edge, Death appears as a horned figure with an hourglass on a shaggy horse; on the right, the Devil with horns and a pig's snout pushes out from among rocks and roots. A castle on a hill, bare trees, and rugged rock formations form the background.

Context

Dürer made this print in 1513 in Nuremberg, during a period when he was deeply engaged with humanist and religious questions. The engraving was created as a standalone sheet and is counted among the so-called 'Meisterstiche,' along with 'Melencolia I' and 'Saint Jerome in His Study.' The idea of the Christian knight as a miles christianus who pursues his path unswervingly was widespread in the humanism of the time. With engraving as a new technique, Dürer achieved the finest lines and shading, making this sheet a high point of printmaking.

Impact

The monumental knight and his menacing companions create a mood that is both sublime and oppressive. Precise linework and high-contrast lighting give the scene an almost tangible plasticity. The viewer is drawn into the quiet, tense atmosphere where courage and danger meet.

Technique

Dürer engraved fine lines into a copper plate with a burin, allowing textures such as armor, fur and stone to be rendered in extreme detail. The black ink on paper produces a sheet of high-contrast black-and-white tones.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)