Christ Expelling the Money Lenders, from "The Small Passion"
Original title: Christ Expelling the Money Lenders, from "The Small Passion"
kurzbeschreibung
This woodcut by Albrecht Dürer, dating to around 1508, depicts the biblical scene of Christ driving the money changers out of the Temple. The composition centers on Christ in dynamic motion, surrounded by fleeing figures and scattered objects. It is part of Dürer's renowned series 'The Small Passion.'
Description
In the center, Christ stands with a long, curly beard and a long-sleeved robe, striking a money changer with one hand while throwing something to the ground with the other. Around him, several figures react in alarm, including a child seated on a table and a money changer sprawled on the floor looking bewildered. In the background, columns, a window, and a lantern frame the scene. The monochrome woodcut uses dense, detailed lines and shading to define forms, with even lighting achieved through uniform hatching.
Context
Dürer created 'The Small Passion' between 1508 and 1511, a series of 37 woodcuts illustrating the Passion of Christ. This particular scene reflects the Gospel account (Matthew 21:12-13) and was a popular subject in Renaissance art, symbolizing the purification of the Church. Dürer's woodcuts were widely distributed and helped establish his reputation as a master printmaker across Europe.
Impact
The image conveys a sense of urgent action and moral authority, with Christ's dynamic pose contrasting with the chaos of the fleeing figures. The fine lines and balanced composition draw the viewer's eye to the central confrontation, while the monochrome palette emphasizes the dramatic play of light and shadow.
Technique
This is a woodcut, a relief printing technique where the image is carved into a wooden block, inked, and pressed onto paper. Dürer's mastery is evident in the intricate cross-hatching and varied line weights, which create depth and texture. The print is monochrome, relying on black ink on paper to achieve its striking contrasts.
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Source: Metropolitan Museum of Art · Public domain (CC0)